Essay Moore

The Other Wes Moore Essay

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The Other Wes Moore
In the book, The Other Wes Moore it is difficult to believe the great similarities in the lives of the two Moores, who share a name and other aspects of life. The two were raised fatherless and were born in the late 1970’s in the neighborhood of Baltimore, Maryland. They also happen to have encountered similar experiences when growing up, but at one point one of them became a criminal and the other a scholar (the author of the book). The author of the book seems to be interested in the similarities of the two boys as opposed to their different experiences. The story is interesting and makes one imagine what would have become of the writer if he did not by any chance come across the people who guided him to become what…show more content…

The Other Wes Moore
In the book, The Other Wes Moore it is difficult to believe the great similarities in the lives of the two Moores, who share a name and other aspects of life. The two were raised fatherless and were born in the late 1970’s in the neighborhood of Baltimore, Maryland. They also happen to have encountered similar experiences when growing up, but at one point one of them became a criminal and the other a scholar (the author of the book). The author of the book seems to be interested in the similarities of the two boys as opposed to their different experiences. The story is interesting and makes one imagine what would have become of the writer if he did not by any chance come across the people who guided him to become what he finally became, the little changes in their destinies shaped out their final end. Perhaps the writer aims at helping the reader understand the significance of one’s upbringing to what finally becomes of them in the future (Moore, 2011). In this book published in 2011, Moore, the author clearly aims at the achievement of two main objectives. The first is to provide an account of his life and the other to show the similarities to that of the counterpart, the namesake. He also aims at helping the readers and the general public identify various issues that lead people to commit crimes in America and the community in general. He manages to simplify his message in a single quote by asserting that one the Moores was free and the other had

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A welcome surprise: more than fifty prose pieces, gathered together for the first time, by one of America’s most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary–appearing in The New York Review of Books, The New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper’s Magazine, and elsewhere–have been parsing the political, artistic, and media idiom for the last three decades.

From Lorrie Moore’s earliest reviews of novels by Margaret Atwood and Nora Ephron, to an essay on Ezra Edelman’s 2016 O.J. Simpson documentary, and in between: Moore on the writing of fiction (the work of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker, et al.) . . . on the continuing unequal state of race in America . . . on the shock of the shocking GOP . . . on the dangers (and cruel truths) of celebrity marriages and love affairs . . . on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer) . . . on the (d)evolving environment . . . on terrorism, the historical imagination, and the world’s newest form of novelist . . . on the lesser (and larger) lives of biography and the midwifery between art and life (Anaïs Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others) . . . and on the high art of being Helen Gurley Brown . . . and much, much more.
     “Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore” (Harper’s Magazine).

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